THE COMPOSER’S INTRODUCTION TO MANY MOONS

           Good morning, children!  Before we begin our performance, which will start in just a moment, I want to tell you, very quickly. a little about what you are going to hear.

           You know of course that it is an opera, a short opera in one act.  The name of it is Many Moons.  Some of you have already seen an opera, perhaps, or you may have heard one of the broadcasts of opera from the metropolitan on Saturday afternoons;  but for those of you who have never seen or heard an opera, this is going to be a new experience, and you will want to know what to expect.

           Now an opera is simply a story  in which the characters sing the words instead of speak them.  You may wonder what  the advantage of this is.  The advantage is that when people sing words, they seem to put much more feeling in them, and make them sound much more important than they often really are.  Now when you hear the king and the princess in this opera sing about their sadness, and later, their happiness, you will share these same feelings with them, because the music has given their words so much more importance and meaning.

           Music can do something else that will surprise you.  You know that when two or three or four people are talking together at the same time, no one can possibly make out what they are saying.  But in music, it very often happens that two people will sing at the same time. This is called a duet.  The surprising thing is that you will be able to understand not only their words, but the way they feel about these words.  The same thing happens when three characters sing at once. This is called a trio.  Or four – this is called, of course, a quartet.  You are going to hear all of these this morning, and my guess is that you will have no trouble understanding what each character is singing.

          Music can do a still more interesting thing.  It can actually describe characters for you, so that you will be able to guess from their music alone what they are going to look like and how they are going to act, even before they come onto the stage.  You are going to see a king, a princess, a jester and three very unusual characters, a royal chamberlain, a royal wizard and a royal mathematician.  each one of these has his own music, and I am sure you will recognize them by their music even before you see them.

           I am not going to tell you the story of Many Moons, except to say that it is about a little princess who was ten years old , who lived in a palace by the sea and who had a most unusual wish.  I’ll not tell you how she got her wish, but will let the characters tell it or rather sing it for you. 

           This story was written by one of our country’s most imaginative writers, James Thurber, and is the one that is the most loved, both by children and adults.  I have written the music for the opera, and I have written it expressly for young audiences, such as you.

           Now we are ready to begin, and I am going to start playing you the overture.  Most operas have an overture, which is some music to prepare your ears for what is to come, and put you into the right mood.  Now this overture will go straight into the opening of the curtain, so you will not have a chance to applaud here.  But at the end we hope you will show us by your applause how much you have enjoyed it.  And then I will ask the singers to come onto the stage and introduce themselves to you; and if you have any questions that you would like to ask us about the music, the story, the singers, the costumes, or anything else, we will do our best to answer them.
- Celius Dougherty